Zoe Saldaña | Unfiltered
Released on 12/11/2024
You are indirectly encouraged to believe
that being the only female in a group of men,
in a sea of men makes you better
than every woman around you.
And that can get you only so far.
At first, it was Jacques Audiard.
He's a wonderful filmmaker.
After we had endless conversations via Zoom,
because that was my auditioning, it was through Zoom.
What drew me to Rita was whether or not
I felt I experienced her experiences
at a much milder level, of course.
I still familiarized myself with sensations
of feeling overlooked and burned out,
and feeling at times like my environment was suffocating me
because I wasn't living to my fullest potential.
I felt I had never played someone like that,
and I wanted to desperately inhabit that kind of experience.
On a personal level, I had this desire
to reconnect with dance and with music and unconsciously
I also wanted to reconnect with my roots.
I'm a first generation daughter of immigrants.
Spanish is my first language.
The role of Rita was an all-encompassing role for me.
Yeah, I have a family member who's trans
and who's raised us.
He's made us see so much about who he truly is,
and here I was working with this amazing actress
who has had a journey that puts us all to rest
in terms of just how harder she has to work
to get a seat at the table, to just get respect
and visibility to be seen and be respected for who she is.
And she worked so hard.
She gave so much of herself,
and she's so talented, Karla Sofia Gascon.
Never in a million years was I ever expecting it
to have such a profound impact on so many people.
It was incredible.
Karla's a force of nature,
and she was playing two characters that I can only imagine
that maybe at times represented a great deal
of pain for her.
Though people may think that she probably has a lot
in common with the characters that she's playing,
she doesn't feel that way.
She doesn't feel like she has anything in common
with them half of the time.
That's just a testament of how truly talented she is.
She completely transformed and became these two people,
sometimes both in one day, in one day of shooting.
And it was fascinating to see her just walk into set
and just take everything by storm and be so magnificent.
That what the decisions that they make
for their bodies shouldn't be the only reason
why we define them.
They're not defined by that. That belongs to them.
And they have every right to exercise
whatever journey they need to go through to find themselves
and to feel more like themselves.
I wish for people in the trans community to be valued
for their attributes other than their identity.
I wanna normalize seeing people, not just trans people,
people of color, disabled people in all general spaces,
and for us to normalize walking among them naturally.
That was the cherry on top.
Working with Selena Gomez was fascinating.
She's someone that has been through a lot,
has shared so much about herself and her journey
for the sake of helping so many people,
and she's accomplished that.
But what people are going to discover with her character
of Jessi and the work that she put into Jessi
and Emilia Perez is just how truly talented she is,
and how sincerely thoughtful she is about her work,
about her craft.
And she's so talented. It's incredible.
And how someone that has grown up in the spotlight
still remains so grounded, so peaceful,
so outspoken about mental health, but also about art.
Respecting people for their choices is just remarkable.
Sisterhood is vital.
To me, it's one of the basic needs of life.
Like water, like air, like earth.
I need connection with women. I'm one of three sisters.
I grew up in a family of matriarchs.
Who would I be today or ever, if it wasn't for the women
that have carried me on their shoulders.
They teach me how to be a better person every day
by just being great people.
Don't get me wrong. I'm not cavalier when I say this.
It is easy for me to recognize environments of sisterhood,
and I just unconsciously gravitate towards them.
And I remember for so many years,
you are indirectly encouraged to believe
that being the only female in a group of men,
in a sea of men makes you better
than every woman around you.
And that can get you only so far.
But it starts really quickly
to feel like a very lonely place,
because we need to connect.
The same way men need brotherhoods,
women, we need each other to make each other,
to make us stronger.
And we advocate for each other and we celebrate each other.
We make space for each other.
That's exactly what the set of Emilia Perez was like.
What he does is what so many men should be doing
is just giving space, allowing other people,
especially women, to take up their own space
and for that to not intimidate him.
We were encouraged. We were celebrated.
It became a really fun environment to experiment.
And if we failed, we all failed together
and we failed forward.
But when we succeeded at something,
because I guess an emotional beat felt right,
the synchronicity that we all had was palpable.
It was really amazing to work in such an environment
that was so creative and so harmonious.
I'm passionate. It was a lot of passion.
I think it's what made it special.
If this movie would've been just stuck in one genre,
I think it would've been a really heavy topic to digest
and it would've given us,
as an audience, a harder time to connect with it.
The musicality aspect of Emilia was the spoonful of sugar
that helped the medicine go down.
I really have to say that because
otherwise it would've been just a bigger challenge
for Jack to get us to come out and see his story.
I don't think I can answer that question
without getting emotional.
For so many years, I convinced myself that
I didn't need to be seen to be successful
and to sort of own my evolution as an artist.
And the reality is, as an artist, what draws us to art,
what draws us to wanna make art,
it's this desire to connect with people.
Part of that connection is being seen
for what you put out there, for how hard you work.
If I am recognized for this, it would mean so much to me.
It means that this entire time I was kind of like
on a right path if it led me here, and I matter.
And that's really important to sort of have
that little validation of like,
you've been here this entire time, and yes,
what you've been putting in there has definitely been seen.
It has not been overlooked all the time.
And please continue.
So that repurpose is so needed sometimes for an artist.
It's deeply needed actually.
Sometimes it's as superficial as just forcing myself
out of bed and putting on red lipstick.
Doing the contrary of what you may be feeling
if you know that it is going to be better for you
is a form of empowerment.
Another spiritual form of empowerment is just complimenting
and seeing other women for who they truly are
and telling them.
It takes two sentences
to sometimes save someone's day
by just letting them know that
what they're doing is meaningful to you in some way.
Another form of empowerment is saying no
when you need to say no.
When you feel the need to say no,
when something doesn't feel right for you,
respecting and honoring that feeling
and going with it is a strong form of empowerment.
Starring: Zoe Saldaña
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